Cognitive identity of modern literary criticism

In clause attempt of reconsideration of the traditional concept which have developed within the limits of positivism of a method of literary criticism is carried out. According to a germeneutic-ontologic paradigm literary-critical activity is understood as the process the (self) interpretation, which applying on universally recognized and em-bodied in the subsequent certificate creation of text. On a material of criticism «Novy mir», «Znamya» 1990th years we investigate the typology strategy of interpretations, cognitive identity of modern criticism.