Modern literary criticism is actively studying the types of artistic interaction: repulsion, borrowing,
influence, imitation, parody, and others. The paper examines these phenomena in the
works of Vs. Krestovsky “The Slums of St. Petersburg” (published for the first time in the journal
“Otechestvennye zapiski” (1864–1866)) and V. Kuritsyn “The Slums of Tomsk” (published in the
newspaper “Sibirskiye otgoloski” (1905–1907)). Considering Kuritsyn’s novel, one can find the
processes of receptive mastering of new achievements of all-Russian and world literature rather
than the usual imitation of the capital city writer’s style by the Siberian author. Using “The Slums
of St. Petersburg” as a model, Kuritsyn could master the local material at first and involve the
reader to the “literary game” so that to reach later a new level of artistic reception and compose
a narrative combining the elements of a detective and adventure novel. It resulted in the impoverishment
of the social aspect of the work and rejection of the moral value establishment, partially
compensated by an increase in the adventurous dynamics of the novel. Thus, the original research
hypothesis was confirmed. At first, V. Kuritsyn consciously emphasized in his work the tradition
of Vs. Krestovsky, who was guided by the European concept of a “mystery novel.” However, the
original concept was changed, and the novel revealed a departure from both the “social novel”
and the influence of Vs. Krestovsky. That is why we can consider a more complex form of artistic
interaction, such as a reception, in the novels under study.
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