in self-recording and audio recording
The paper compares the variants of the Shor heroic epic “Künnü körgen Kün Köök” (“Kün
Köök that saw the Sun”) recorded in 1999 with an interval of two months in the narrator’s
self-recording (written in January 1999) and in audio recording (recorded in March 1999 by
L. Arbachakova from V. E. Tannagashev (1932–2007). The version in the audio recording
was performed by the Kai narrator accompanied by komus in the performer’s apartment in
Myski city. V. E. Tannagashev learned this epic from his teacher P. N. Amzorov. The small period between the recordings resulted in insignificant discrepancies in the versions that were
complementary and hardly influenced the qualitative content of the legend. The Kai narrator’s
memory did not let him down, with the plots almost coinciding and different epic formulas
used only in some fragments of typical places, or there were some permutations or omissions
of lines. Sometimes the narrator uses synonymous words, or there are repetitions and reserva-
tions. However, there are practically no such flaws in the self-recordings. The typical points
used by the kaichi, sometimes expanded and colorful, sometimes compressed, probably de-
pended on his mood, as well as on different ways of fixing the epic (in the kaichi’s self-
recording and audio recordings). Live performance is influenced by the mood, health of the
narrator, and other factors. Self-recordings made by hand are the most time-consuming since
they require physical effort, perseverance, attention. It is perhaps for this reason that the recording turned out to be more shortened.
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in self-recording and audio recording // Сибирский филологический журнал. 2021. № 1. Pp. 51–64. DOI: 10.17223/18137083/74/4.